![]() Organized thematically, the photographs tackle a range of subject matter-demonstrating how women photographers represented themselves and each other, captured both the natural world and the domestic sphere, and took to the streets to document current events. This installation presents more than 30 works made during a pivotal period when women began pursuing photography as a profession in larger numbers than ever before. Lane Galleries Personal and Political: Women Photographers, 1965–1985 Lane Galleries Women of Actionīuilding on recent scholarship, this gallery recognizes the contributions of Joan Mitchell, Grace Hartigan, Helen Frankenthaler, Elaine de Kooning, and others to the formation and expansion of action painting of the mid-20th century, a movement typically credited to their male counterparts. In a video, Porsha Olayiwola, the current poet laureate of the city of Boston, performs what is the suffrage movement to a blk womyn?: an anthem, a poem specially commissioned as a response to the exhibition. Voices from the community play a pivotal role in this gallery, offering a range of perspectives through interpretative labels, performance, and other programming. Highlights include such celebrated paintings as Loïs Mailou Jones’s Ubi Girl from Tai Region and Frida Kahlo's Dos Mujeres (Salvadora y Herminia). The objects range across time and place, as well as social, political, and cultural contexts, to represent the diversity of approaches women have taken in depicting one another. The central space features images of women, created by women. Lane Galleries Women Depicting Women: Her Vision, Her Voice ![]() “Beyond the Loom: Fiber Art as Sculpture, ”which was on view in this gallery from September 16, 2019, to December 8, 2020, featured the work of early pioneers of fiber art who radically redefined textiles in the 1960s and ’70s. Highlights include work by Sonya Clark, Gina Adams, Carla Fernandez, and Erin Robertson. This installation focuses on contemporary artists using the medium of textiles (embroidery, weaving, printed fabric, and quilts) to challenge notions of identity, gender, and politics. Gallery 327: Melvin Blake and Frank Purnell Gallery Subversive Threads Works in this gallery span the 20th century and include a recently acquired painting by Luchita Hurtado as well as paintings by Georgia O’Keeffe and Loren MacIver. “No Man’s Land” is devoted to artists who have reimagined the metaphoric possibilities of landscapes, often through the use of symbols that allude to female experiences. Gallery 326: John Axelrod Gallery No Man’s Land This gallery features well-known artists like Georgia O’Keeffe, Marguerite Zorach, and Loïs Mailou Jones, as well as women artists whose importance is under-recognized. ![]() Yet the road was not easy-nor was it open to all. ![]() In the decades following the campaign for women’s suffrage, a greater number of women successfully pursued careers as professional artists and designers. Women on the Move: Art and Design in the 1920s and ’30s We are working to make the tour accessible by keyboard navigation and to screen readers. You can also catch a glimpse into some of the other galleries. The virtual tour focuses on the central gallery of the exhibition. Conservation and Collections ManagementĮngage with a selection of artworks, access educational tools for families and students of all ages, and add your voice.Follow us on social media or at for episode details and show notes. The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Connecting the folds back to her childhood memories, she muses on how paper folding and protein folding are unique in their creativity and similar in their need for precision and perfection. Proteins are our own biological origami, folding spontaneously based on a series of codes in the form of amino acids, akin to the crease patterns and folds of origami. Sudha compares protein folding to origami, the ancient Japanese art of paper folding, which has entertained generations with its beautiful simplicity. In this episode, Susan talks to Sudha Neelam, a cell biologist who studies the mechanisms of protein synthesis exploring how misfolded proteins cause diseases and how therapeutics can intervene to correct the damage it causes. What a protein does and how it does it, depends on how it folds up after its creation into its final intricate shape and function. To understand life, you must understand proteins, the workhorses of the human cell.
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